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With over 30 years of experience in production and post-production, Brian has collaborated with directors such as Ken Russell, Kevin Godley, Storm Thorgerson, Howard Greenhalgh, and Paul Joyce. He possesses extensive expertise in these fields. Beginning his career as a stills photographer and cameraman, he swiftly moved into the post-production sphere, mastering applications like Softimage, 3D Studio Max, Cinema 4D, and Maya.

His first significant commission came from Dave Gilmour (Pink Floyd), for whom he designed and created animations for the 1995 Pink Floyd World Tour, working closely with Storm Thorgerson (Hypgnosis/Storm Studios).

Brian further honed his skills by learning Flame, which allowed him to create the surreal environment for U2's "Mission Impossible" promo directed by Kevin Godley, as well as the Freddie Mercury holograms for Queen. This expertise led to numerous commercial and long-form projects, frequently collaborating with producers such as Carl Grinter, Andrew Smith, Russ Hughes, and Linda Notelovitz.

Recently, Brian has worked with Paul Donnellon on the children's series "Messy Goes to Okido" for the BBC and the pre-titles for 'Dancing On Ice' for ITV.

Brian has now also expanded into the field of AI, producing title sequences and music promotions for artists such as Dua Lipa. Currently, he is working with director Francis Castelli to complete and add AI and VFX to a new documentary about Jon Anderson (Yes).

experience

is knowledge

innovation from experience.

For over 30 years, we have been deeply immersed in the production and post-production industry, working on a diverse array of projects ranging from feature films to MOA, commercials, and music promos. We leverage our extensive knowledge and experience to create innovative and exciting work, always incorporating the latest technology. Our goal is to deliver something new and original at every stage of production.

boards to awards.

Along the way we have picked several awards for animation, grading and VFX in our mantra to push the envelope.